The events take place in the XIX century, in the Carpathian mountains. It is the screen adaptation of the novel by Hnat Khotkevych based on the legend of brave leaders who fought against the Austrian Habsburgs and the Polish magnates for the happiness and freedom of its people. And also it is a romantic story about a fatal overwhelming love.

Climbing has always been more than just a sport. It’s provided a way of life and a makeshift family to misfits who share a calling. As the sport grapples with its growing popularity, the people who anchor its core and community have more responsibility than ever. This film tells the stories of five of these anchors, the Stone Locals who keep the soul of climbing and nurture it as the sport evolves.

A gang boss Nam-hae meets a young Go player Min-su, who rekindles his interest in the game. Despite his outstanding talent, Min-su has been wasting his days as a gambler without pursuing a real career out of it. Nam-hae orders his second in command to persuade Min-su and Min-su becomes Nam-hae’s private Go tutor. In learning Go from Min-su, Nam-hae looks back on his own life. While Min-su discovers the coarse masculine underworld, the meaning of life and true victory through Nam-hae. However, when Nam-hae’s competition starts to expand their territory, Nam-hae is forced into a path to destruction.

Arriya (La piedra) is a look at our time, our people ... a nod to hope from this stuck in the past, on the bus, in a heavy stone behind from the start of memory. Maria runs after Peru through the streets of the village with the beret that has lost on the road. The family of Peru and Mary seal a clash, a dispute, which accounts, on a journey of no return, the future of the village and its inhabitants. A mule, a horse ... And a stone, the stone

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A TV play based on A.S. Pushkin's play "The Stone Guest" staged by the Leningrad State Academic Drama Theater named after A.S. Pushkin.

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Andrei Blaier's film catches the last days of The Stone Cross a low class brothels area that became some kind of an institution in the landscape of Bucharest before the Communist period, doomed to destruction under the new rules of proletarian morals that the Communists were trying to impose. The idea could be the start of a great film, with the prostitution being seen not so much from its destructive and exploitation perspective, but rather as a form of freedom in a time when the whole society was falling under the rule of propaganda, hypocrisy, and repression. In a world due to fall under tyranny for the coming decades prostitution becomes a metaphor of the old more free way of life.

The god Wotan gives the young Prince Sigmund of Valhalla and his sister Brunhilde, the leader of the Valkyries, the task of defending the Petrified Forest. This is threatened by the Vikings (led by the aggressive Hunding), who plans an invasion of the forest in search of the secret treasure of the Nibelung, the possession of which gives one unlimited power. After crossing the border and invading Valhalla, Hunding finds an ally in the daughter of one of Sigmund's loyal followers, Erika, who is embittered by unrequited love. She helps the Vikings raid the camp of the Valhalla residents and kill many warriors. Sigmund swears vengeance and pursues them with the remaining men. However, thanks to other traitors in Sigmund's ranks, Hunding succeeds in capturing him and his fiancée Siglinde, Erika's sister. At the end, Sigmund escapes and, with the help of the Valkiries, succeeds in stopping the invaders and defeating Hunding in a duel.

The Living Stone is a 1958 Canadian short documentary film directed by John Feeney about Inuit art. It shows the inspiration behind Inuit sculpture. The Inuit approach to the work is to release the image the artist sees imprisoned in the rough stone. The film centres on an old legend about the carving of the image of a sea spirit to bring food to a hungry camp. It was nominated for an Academy Award for Best Documentary Short.